I opted to use the optional battery grip, which allowed for two additional batteries.
The battery drain on this camera is pretty extreme, especially compared to a few other cameras I’ve been testing. Hardware Issuesĭespite its awkward form factor, the 6K G2 is anything but boring. Unless you’re blasting the sun into it, you’ll be able to preview your image without issues. While it may now have the tilting feature of the 6K Pro model, it’s not as bright as its more expensive sibling. It may look a little silly compared to other cameras on the market, being so big and all, but having all that surface area to examine my composition allowed me to catch little nuances that a smaller screen would have kept hidden. Speaking of the screen-I really enjoyed the large size. Tilting screens are great, but don't always feels sturdy. The one with a Super 16 sensor, which is now a decade old. I also haven’t purchased a cinema camera in five years, and I still shoot on the original BMPCC. There are better people out there that do a better job. I’m a filmmaker, which means I don’t shoot weddings, corporate, or digital content. So is it a good camera? Should you buy one? And why? 10-Year-Old Cinema Cameraīefore we jump in, let’s chat about my approach to this review. I had the pleasure of using one for a few weeks, and I have some thoughts. Which is what brings us to this Blackmagic Pocket Cinema Camera 6K G2 review, or BMPCC 6K G2 for short. Petty not only wants loyal customers, but he also wants his company to be loyal to them. According to Grant Petty himself, the idea is to support creatives in their early years so that when they succeed, they will keep coming back to BMD for their tools.īut this loyalty goes both ways. The BMPCC 6K G2 is a small but positive step up for an already great camera.īlackmagic Design’s (BMD) philosophy when it comes to creating tools for broadcast and cinema is all about loyalty.
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